Friday, September 15, 2017

CMBA Profile: Silver Screenings



The CMBA profiles our classic movie blogs each month. Today we're featuring Ruth from Silver Screenings.
 
CMBA: What sparked your interest in classic film?
Silver Screenings: I’ve always had an interest in old movies, and I’m not sure where that came from. For instance, when I was a kid, I’d study the movie listings in our local television guide and try to memorize titles of older films. But as a teenager I discovered Laurel and Hardy, and they became my glorious introduction to old films. A local television station would air their shorts early Sunday mornings, and I fell in love: the comedy, the fashions, the vintage Los Angeles scenery and, of course, Laurel and Hardy themselves. Every Sunday morning I’d sneak downstairs to the family room and watch these films on mute so I wouldn’t wake the rest of the house. I had found gold.


CMBA: What makes a film a “classic” in your opinion?
Silver Screenings: I wonder if the word “classic” needs to be more sharply defined when it pertains to film. I’ve met a couple of people online who feel Hollywood’s best years were the 1980s, and they describe films from that decade as “classic”.

If we use the word “classic” to describe an era of Hollywood filmmaking, e.g. the studio era, I personally feel that era ended in the late 1950s. However, if we’re describing films with timeless themes, I think classic films are released every year.
CMBA: What classic film(s) do you recommend to people who say they hate old movies?
Silver Screenings: I recommend films to match their interests. I’ve introduced people to old movies through Casablanca, Double Indemnity and Sabrina. Even my long-suffering husband, who claims he’d rather watch modern sci-fi flicks, has a few classic favourites, such as Winchester ’73 and anything starring John Wayne.

CMBA: Why should people care about classic film? 
Silver Screenings: Some folks think movies aren’t art, but even if they are “just” pop culture influences, they deserve study and appreciation. People make a career out of examining the history of music, literature and fine arts. So I think the question then becomes: Why not study the history of one of the greatest cultural influences of our age?

CMBA: What is the most rewarding thing about blogging?
Silver Screenings: My goal is to “sell” people on old movies and convince folks not to dismiss them outright just because they’re black and white. When someone outside the classic film community gets excited about an old movie, I always joke, “Well, my work here is done.”

CMBA: What challenges do you face with your blog, and how do you overcome them?
Silver Screenings: There are two things I constantly run into: (1) something unique to say about a film; and (2) writer’s block.

When I write about a movie that’s been reviewed a zillion times through the years, I try to think of one thing about it that resonates with me, then I build a post around it.

If I’m suffering from an acute writer’s block that not even chocolate can cure, I listen to the British band Coldplay. (Don’t laugh!) To me, their music becomes a metronome of sorts, and it propels me to complete that important first draft.

CMBA: What advice would you give to a new blogger?
Silver Screenings: Share your personality with us. We’ll love you for it.

CMBA: What is one blog post that you would like to share on your profile – and why?
Silver Screenings: I have a soft spot for the WWII propaganda film, 49th Parallel. Not only does it recognize Canadians’ contributions to the war – which is often downplayed or ignored – it also shows how beautiful our country is.

Thank you for joining us, Ruth! You can visit Silver Screenings HERE.

Monday, July 31, 2017

CMBA Blog Profile: The Vintage Cameo



The Vintage Cameo

The CMBA profiles our classic movie blogs each month. Today we're featuring Emily from The Vintage Cameo.

The Vintage Cameo is a kind of "classic" example of a classic movie blog. With a clean look and a focus on the major stars, Emily also takes the time to seek out some lesser-known gems and comments on TCM's offerings and festivals as well as the vivid locations of "Hollywood Haunts." Located in Los Angeles and working in film studies at the University, she brings strong contextual detail to her discussions of the movies she reviews. More than reviews of the movies, her discussions can also be reviews of particular screenings, the conditions under which modern Los Angelinos are seeing the movies their forebears knew and worked on in original release. Reading her blog is almost like going to the movies with an old friend, one whose knowledge and passion for the movies makes the experience all the better. 


CMBA: What sparked your interest in classic film?
The Vintage Cameo: My childhood movie collection was an eclectic mix of “whatever my mom had taped off HBO during the free preview weekend,” so I don’t think I initially felt much of a distinction between “classic” and “modern” films—but first developed a love for movies as a whole. Some of my early classic favorites were Singin’ in the Rain, West Side Story, and the Wizard of Oz (in addition to more questionably-appropriate kid fare, like Beetlejuice). As I got older, I realized that there was a whole world of classic film out there, but also that it seemed like many of my peers weren’t at all interested in exploring it further. But luckily I was OK with being a weirdo! It also helped that shows I liked, like The Simpsons, utilized classic film references all the time, which encouraged me to seek out the original sources. Although the show probably spoiled me for a ton of classic movie scenes (Citizen Kane, The Shining, Planet of the Apes), the constant riffs also seemed to encourage knowledge in classic film as a necessary component of pop culture. 

CMBA: What makes a film a "classic" in your opinion?
The Vintage Cameo: As a marker of quality, I would say any film that has made a significant cultural impact—whether it’s changing what people thought about something, evoking some sort of discussion, or even just remaining in the public cultural consciousness for decades after its debut.

As a synonym for “old,” I try to keep the majority of my blog content focused on films within a rolling marker of about 40 or 50 years or so.

CMBA: What classic film(s) do you recommend to people who say they hate old movies?
The Vintage Cameo: I’m a TA for my university’s intro film course, so this is actually something that comes up quite often for me! To be fair, most students wouldn’t say they hated old movies, but for many of them, their reference points are restricted to about the last 10 to 15 years. A few of the new-to-them films I’ve assigned that students later told me they liked/loved: King Kong (1933), Gold Diggers of 1933 (1933), The Thin Man (1934), Gojira (1954), Ocean’s 11 (1960), Psycho (1960), The Italian Job (1969), and The Last Picture Show (1975). I find that approaching older films through genre often makes an easier entry point for resistant people—if somebody loves modern action or horror or comedy, there’s usually a corollary from the past that they would also enjoy. I’ve also been pleased to find that the most magnetic stars of the past still seem to be able to draw in modern viewers, so anything with one of the greats usually works pretty well too. 

CMBA: Why should people care about classic film?
The Vintage Cameo: I think it’s necessary for anybody interested in film, as the whole history of film is basically a bundle of continuous timelines. While you don’t need to understand the full historical and cultural context for every film you see in order to enjoy it, I think the ability to think about films in a deeper way almost always contributes to a better and more rewarding experience. There’s also SO many amazing and varied films out there, that people who avoid “old” films are really missing out!

CMBA: What is the most rewarding thing about blogging?
The people, for sure! Finding such an active community of like-minded folks has been really gratifying if even a little surprising! Watching older films can be a bit isolating since, unlike the watercooler-friendly films that come out in theaters every week, we’re usually all watching them at drastically different times. When I watch a musical from 1938, chances are fairly slim that my coworker has seen it (recently enough) to listen to me gushing about it, but the classic film community always seems to step up. Or if nothing else, I can go back and read somebody else’s review from two years ago about the same film, which can help prompt discussion.

The Vintage Cameo: On a related but more trivial note, my memory for movies is super terrible, so writing my entries helps me remember what I’ve seen and what I thought about it!

CMBA: What challenges do you face with your blog, and how do you overcome them?
The Vintage Cameo: I am just now getting back on schedule after spending the past two years getting my Master’s, so first: scheduling! I am a fairly slow writer—even trivial things like festival recaps take me at least a few hours to complete, so a real review is usually a pretty significant undertaking. I’ve been trying to balance this a bit by being more active on social media, especially Twitter, where I can train myself to be a little looser and not agonize over every word choice. I’m also working on editing down some of my school assignments to post on the blog, since I’ve already done the work on them, as well as coming up with some new short-form ideas for regular posts.

CMBA: What advice would you give to a new blogger?
The Vintage Cameo: One thing that helped when I was starting out was having a specific project to complete. For me, it was tracking down all the full films from the clips featured in That’s Entertainment, and writing reviews on those. That gave me a bit of structure to start from, as well as a built-in list of topics to cover for when I wasn’t feeling inspired. It also let me feel like I was doing something a little bit unique. Since many of these older films have been covered by tons of writers/blogs at this point, it initially felt impossible to say something new about them—but having the structure of the project meant that I could at least approach it from my own perspective.



What is one blog post that you would like to share on your profile – and why?
I’ll just say this recent post on The Star, which is fairly representative of my combination of analysis and personal history!

Thank you for joining us, Emily! You can visit The Vintage Cameo HERE.
http://www.thevintagecameo.com/

Friday, July 14, 2017

CMBA Blog Profile: Stars and Letters



The CMBA profiles two classic movie blogs per month. Today we're featuring Janet from Stars and Letters.

Stars and Letters is a movie (and history) lover's dream.

The site provides letters written by Classic Hollywood filmmakers such as David O. Selznick, Marilyn Monroe and Richard Burton, among many others. With each letter (or note or telegram), Janet provides a transcript in case the image of the original is somewhat illegible.

These letters are gems, providing an intimate snapshot of contract negotiations, responses to fans and even celebrity life. For example, look at Greta Garbo's 1963 letter to Jackie Kennedy.

"Although Garbo's letter is just a very short thank-you to her hostess," says Janet, "I really like the story behind Garbo's letter, the fact that it solved the mystery of President Kennedy's missing 'tooth'."

You can read Greta's letter to Jackie HERE.

 
CMBA: What sparked your interest in classic film?
Stars and Letters: Both my parents are classic film fans so I grew up watching old films. The films I saw during my childhood were mainly westerns, swashbucklers and MGM musicals, and most of them I initially watched dubbed in German. (I am Dutch, grew up without cable television and classic Hollywood films were mainly shown on German television.) Much later I discovered other films I liked, like film noirs and even later pre-codes. Although I also like a good modern film, I do have a strong preference for classic films. (And there are enough classic films I haven't seen yet to last me a lifetime!)

CMBA: What makes a film a "classic" in your opinion?
Stars and Letters: I would call a Hollywood film a "classic" if it was made between the late 1920s and mid-1960s (my favourite decades being the 1930s and 1940s). Obviously, in a different sense, a "classic" is a film that has stood the test of time, that can be viewed over and over again and still be amazing, whether an old classic like Casablanca or a modern classic like The Shawshank Redemption. 
CMBA: What classic film(s) do you recommend to people who say they hate old movies?
Stars and Letters: I would simply recommend some of my personal favourites, such as Stage Door, His Girl Friday, The Apartment, The Adventures of Robin Hood (my favourite swashbuckler), Remember the Night (my favourite Christmas film)How can anyone not like these?!

CMBA: Why should people care about classic film?
Stars and Letters: Because they are so sophisticated and stylish, and not just because of the way they look (set design, cinematography, costumes, glamorous looking actors/actresses), but also because of the way people talked, the dialogue, without using the f*word all the time. And even with a bad classic film (and there are a lot of those), there is almost always something in it worthwhile. Also, classic Hollywood provided genres which have basically disappeared now. Screwball comedies, film-noir, westerns, swashbucklers, musicals and pre-codes (if you can call the latter a genre) – they are part of a bygone era and should all be cherished.

CMBA: What is the most rewarding thing about blogging?
Stars and Letters: My blog is different from other CMBA blogs. I post classic Hollywood correspondence along with related background information. I love searching the internet for letters and the stories behind them. And when I find something interesting or surprising, I can really get a kick out of that! That Clara Bow was a Marlon Brando fan, for example, I never knew before doing this blog.

CMBA: What challenges do you face with your blog, and how do you overcome them?
Stars and Letters: I rely on material I can find on the internet and while there is enough classic Hollywood correspondence to be found, it's not always easy to come up with something exciting. And because of the lack of time, I don't post as much as I want to.


CMBA: What advice would you give to a new blogger?
Stars and Letters: Pick a topic you like and write about that (whether it's reviews or something else). I think it's imperative that you love what you're doing, it should be fun and not feel like homework. Only when you enjoy doing your blog, it will be able to survive. And try to post on a regular basis (I should follow my own advice!). But even if you don't post regularly, if you love your blog you will always come back to it.


Thank you for joining us, Janet! You can visit Stars and Letters HERE.

Friday, June 30, 2017

CMBA Blog Profile: An Ode to Dust




The CMBA profiles two classic movie blogs per month. Today we're featuring Nicole from An Ode to Dust.

You could say An Ode to Dust is an adventuresome blog.

In addition to film critique and Hollywood history, Nicole delves into many subjects on her site, such as book reviews, festival coverage and road trips to discover areas connected with classic film.

She has an appreciation for the legends, such as Audrey Hepburn and Buster Keaton, but she has a very special connection with Lon Chaney who, like Nicole, was a CODA (Child of Deaf Adults).

"I have been looking for ways to connect Deaf culture to film history," says Nicole, "and when I found out that Lon Chaney was also a fellow CODA, I was over the moon. Every so often, I try to share little bits of Deaf culture (along with my experiences as a CODA) through my writing, hoping to shed some light on a subject that is so unfamiliar to many."

You can read Nicole's piece on Lon Chaney HERE.

  
CMBA: What sparked your interest in classic film?
An Ode to Dust: I can only recall watching a lot of older comedy shows with my dad while I was growing up—mainly I Love Lucy, Bewitched, The Three Stooges, and assorted cartoons like Tom & Jerry and Felix the Cat. As far as films, I do remember watching The Wizard of Oz, The Sound of Music, Singin’ in the Rain, and The Birds. As I got older, I found myself becoming more interested in watching films from the 1950s and 1960s, and one way or another, I wanted to see even more of what classic cinema had to offer.


CMBA: What makes a film a “classic” in your opinion?
An Ode to Dust: I would say “classic” means something that is timeless, highly-revered, spans across multiple generations, and holds some sort of significant meaning to people. However, if we’re talking “classic” as an adjective rather than a noun, I usually think of classic films ranging from the talkie era to somewhere before the 1970s. The cutoff date is still a bit hazy for me.

CMBA: What classic film(s) do you recommend to people who say they hate old movies?
An Ode to Dust: I would have to tailor my suggestions depending on the person and figuring out which aspects they seem to like in a film. However, I will hands-down recommend Buster Keaton to anyone at any time. I find his work so accessible, down-to-earth, and fun for all ages. I’d probably start off by showing one of his early silent shorts, maybe something like One Week or The Scarecrow.


CMBA: Why should people care about classic film?
An Ode to Dust: I personally find it fascinating that classic film allows us to see people in past eras living and breathing and moving (even if they are acting out a story), and that life was still going on in a way that words and still images can’t fully capture. Film records a certain essence of time in motion, and in a much more spatial sense. From its beginnings, you can see layers of history develop through the history of film itself.


CMBA: What is the most rewarding thing about blogging?
An Ode to Dust: I love that I have a space to share my own thoughts and be able to look back on memories or sentiments regarding a specific film or event. It is an extension of my passion and a place where I can hone my writing skills, all while connecting with many like-minded people of whom I would have otherwise never met before.

CMBA: What challenges do you face with your blog, and how do you overcome them?
An Ode to Dust: I tend to go overboard on proofreading. While it may be good practice, I end up stressing myself out a lot because of it. Another issue is finding the time and energy to write during the middle of a busy semester. Somehow, I’ve been able to get through the latter all right by updating at least once a month, but I’m still struggling to find a way to break my intense proofreading dilemma.


CMBA: What advice would you give to a new blogger?
An Ode to Dust: Definitely have a strong enthusiasm for what you want to write about and share. Even if it’s for an audience of none, just keep writing whenever you can. Don’t worry too much about finding a “niche” or a “voice” right away. With time, that will develop. Find other blogs you’d enjoy reading and interact with them. You can learn a lot through others. Joining a blogathon is a good way of doing this!


Thank you for joining us, Nicole! You can visit An Ode to Dust HERE.

Wednesday, June 14, 2017

CMBA Blog Profile: GlamAmor



The CMBA profiles two classic movie blogs per month. Today we're featuring Kimberly from GlamAmor.

Kimberly of GlamAmor is a true CMBA celebrity.

Not only is she the manager of marketing at Sony Pictures Television, she's a popular lecturer at the historic Annenberg Beach House in Santa Monica with her series on "History of Fashion in Film".

Kimberly has spent her time in the trenches doing research on – and writing about – fashion and film history, and she acts as a consultant for several organizations including TCM, BBC Worldwide, Christie's Inc., and the Los Angeles Tourism Board.

GlamAmor is a fascinating site with articles, event coverage and taped interviews. One of her favorite interviews is with Monika Henreid, the daughter of an accomplished Hollywood actor.

"I thoroughly enjoyed doing my interview with Monika Henreid," says Kimberly. "It offered the opportunity to put a spotlight on costume designer Orry-Kelly as well as delve into the backstories of both Now, Voyager and Casablanca with the daughter of Paul Henreid. I also want to work more in front of the camera, so this was a great experience to both host and produce the project."

You can watch Kimberly's interview HERE.


CMBA: What sparked your interest in classic film?
GlamAmor: Like so many, my interest began with my family. My father was a police officer and would watch film noir when he came home after work – The Maltese Falcon, The Big Sleep, and many others. As a child, I came to love them, too. Then when I was older, the Hitchcock films became another gateway into more and more classic cinema.



CMBA: What makes a film a "classic" in your opinion?
GlamAmor: Of course there's much debate about this. I tend to think of movies from the dawn of Hollywood through 1979 as being part of classic cinema. But there are movies beyond that timeframe that have a high quality about them – from direction to acting to production design – as well as a timelessness that can qualify them as classics, too.

CMBA: What classic film(s) do you recommend to people who say they hate old movies?
GlamAmor: Oh, the Hitchcock movies are an easy way to address this. They have a certain style about them that appeals to most people. I see people light up when I mention them.



CMBA: Why should people care about classic film?
GlamAmor: This is my mission in life, really, teaching and reminding people why they should care about classic film. Those movies are the originals – so much of what we see coming from Hollywood today relate in some way to those classics. This is also true in something that I focus on in my work, which is the costume design and overall style. The fashion industry draws inspiration from classic cinema all the time. Really, for anyone in the arts, classic cinema remains a source of inspiration. It proves the ongoing relevance of these films.



CMBA: What is the most rewarding thing about blogging?
GlamAmor: Sharing what I know and love about classic film, and being able to reach an audience around the world.

CMBA: What challenges do you face with your blog, and how do you overcome them?
GlamAmor: I don't think the website itself has presented challenges, other than the technical ones we all deal with.



CMBA: What advice would you give to a new blogger?
GlamAmor: Make sure you write about something that you truly know and love, not what you think you should be writing about for the audience or advertising, for example.  Also make sure you pick a pace - how often you post - that's something that you can do without it overwhelming you. It's not as much about quantity as it is about quality.



Thank you for joining us, Kimberly! You can visit GlamAmor HERE.